ATOMOS NINJA V OFFERS 4K 10-BIT 422 HDR RECORDING WITH THE PANASONIC LUMIX S


ATOMOS NINJA V OFFERS 4K 10-BIT 422 HDR RECORDING WITH THE PANASONIC LUMIX S

4 February 2019: Atomos is delighted to announce that as soon as it ships, the new Panasonic LUMIX S1 full-frame mirrorless camera will immediately be able to record 4k (3840×2160) 10-bit 422 HDR footage to the Atomos Ninja V and Inferno monitor/recorders. Recording over HDMI to one of these Atomos recorders will allow recording direct to Apple ProRes or Avid DNx codecs at up to 4kp30 in the HLG HDR format. HDR metadata passed over HDMI from the Panasonic LUMIX S1 to the Ninja V or Inferno allows the HLG signal to be correctly displayed, giving the users an instant and accurate HDR image they can expose and trust. The metadata triggers auto-setup of the Atomos recorders, and the same data is written into the ProRes or DNx file for instant playout to compatible HDR televisions and monitors, or upload to YouTube.

Panasonic will also add 10-bit 422 HDMI output in V-Log gamma via a paid firmware update to the camera in the future. This version of the gamma curve will be the full V-Log, rather than the V-Log L variant found on the GH5 and GH5S. Atomos will record this and are working with Panasonic to fully support the additional options that the upcoming firmware will bring.

The Panasonic LUMIX S1 is the latest in a growing number of large sensor mirrorless cameras to support 4k 10-bit 422 recording via HDMI. The increased image quality brings greater flexibility in post-production for better HDR or SDR images. Stepping up to 10-bit offers greater accuracy with billions of color combinations. This is massively beneficial when utilising computer processing for finishing. Typically, users will see smoother color gradients, eliminating the commonly seen banding in areas with gradual tone change such as blue skies. Recording to an Atomos recorder perfectly preserves this information in the ultimate way possible, combining Panasonic and Atomos technology.

The Panasonic LUMIX S1 has an ergonomic body design that is perfectly partnered with the 5″ Atomos Ninja V HDR monitor/recorder. The Ninja V weighs 360g and sits perfectly on top of the camera. When the two are used together they balance well in the hand, forming an easy to operate camera setup that rivals some traditional cinema cameras.

High bright 1000nit or 1500nit monitoring
Seeing the built-in screen of all mirrorless cameras is difficult in bright conditions. The Ninja V screen has 1000nit of brightness when in SDR mode, allowing it to be used effectively, even when outside. The Ninja Inferno and Shogun Inferno each offer an incredible 1500nit brightness and are well suited to productions where a larger 7” screen is required.

Why external recording makes sense
External recording via HDMI from mirrorless cameras is perfect for users wanting to get the best possible image quality from cameras like the Panasonic LUMIX S1. Until this year users needed to invest in a high-end cinema camera costing ten of thousands of dollars to get a larger than Super35 sized sensor that offered 4K 10-bit 422 recording. Now, with the advent of cameras like the LUMIX S1 combined with the Ninja V, users can have access to just that but at amazing price points – in this case less than $2500 US MSRP for the LUMIX S1 body and $695 MSRP for the Ninja V.

In addition, by moving recording to an external Atomos recorder like the Ninja V, mirrorless cameras are freed of many of their key video limitations. Record time limits are lifted and easy-to-edit Apple ProRes or Avid DNx codecs recorded, instead of harder to edit H.264 or H.265. When recording video with the Panasonic LUMIX S1 and Ninja V you can shoot to the new generation of Atomos AtomX SSDmini drives or Atomos Master Caddy II drives. These are developed with leading brands and offer high speed and high reliability in a compact metal chassis at a highly affordable cost per GB.

ATOMOS NINJA V: B&H Photo / AmazonAdorama
ATOMOS Ninja Inferno: B&H Photo / AmazonAdorama

Panasonic S1: B&H Photo / Amazon / Adorama
Panasonic S1R: B&H Photo / Amazon / Adorama

Posted in Accessories, Panasonic| Tagged , , , , , , , , , | 2 Comments

Leica SL Firmware 3.4 Makes SL Compatible with Panasonic Glass

Leica announced their first L-Mount alliance firmware today and it adds support for Panasonic L-Mount glass. You can read the details below and download the update here.

Firmware Update 3.4
Easy Connect• New QR code for one-step easy pairing of smartphone and camera.
• Fixed WLAN name and password, no submenus for setting name and password.
• No submenus for setting a connection mode, e.g. Create WLAN or Join WLAN.
Compatibility with upcoming lenses from L-Mount Alliance partners• Body-lens communication standard extended for compatibility with upcoming L-Mount lenses.
• Additional menu for updating the lens-firmware of upcoming lenses from L-Mount Alliance partners via SL camera body.
• Compatibility with upcoming L-Mount lenses, that are equipped with an AF/MF switch on the lens barrel. In this case the lens switch is the master for AF/MF mode.
• Compatibility with upcoming L-Mount lenses, that are equipped with an OIS mode switch on the lens barrel. In this case the lens switch is the master for OIS mode.
Bugfix• In some cases the VARIO-ELMARIT-SL 24-90 f/2.8-4 ASPH. did show front focus issues. Lens Firmware 1.1 does solve this issue.

 

Follow 43addict on FacebookTwitterInstagram, and YouTube

Leica SL: B&H Photo / Amazon / Adorama

Panasonic S1: B&H Photo / Amazon / Adorama
Panasonic S1R: B&H Photo / Amazon / Adorama

Panasonic 50mm f/1.4 S: B&H Photo / Amazon / Adorama
Panasonic 24-105mm f/4.0 S: B&H Photo / Amazon / Adorama
Panasonic 70-200mm f/4.0 S: B&H Photo / Amazon / Adorama

Posted in L-Mount, Leica| Tagged | 1 Comment

Apotelyt Panasonic S1/S1R vs Canon RP Comparison: Impressively Small


Apotelyt added the Canon RP to their comparison tool and it is very compact. Canon is offering an amazing value with the Canon RP and it might just convince some to stick with Canon. Panasonic doesn’t really have a full frame camera read to compete with the Canon RP, but the Panasonic S1 is the closest. You can see the comparison at Apotelyt and the advantages from Apotelyt are below.

Advantages of the Canon EOS RP:

  • More detail: Offers more megapixels (26.2 vs 24MP) with a 5% higher linear resolution.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • More compact: Is smaller (133x85mm vs 149x110mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 532g or 52 percent) and hence easier to carry around.
  • More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).

Reasons to prefer the Panasonic Lumix DC-S1:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor’s full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
  • More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2360k dots).
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2″ vs 3.0″) for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
  • Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.

Follow 43addict on FacebookTwitterInstagram, and YouTube

Panasonic S1: B&H Photo / Amazon / Adorama
Panasonic S1R: B&H Photo / Amazon / Adorama

Panasonic 50mm f/1.4 S: B&H Photo / Amazon / Adorama
Panasonic 24-105mm f/4.0 S: B&H Photo / Amazon / Adorama
Panasonic 70-200mm f/4.0 S: B&H Photo / Amazon / Adorama

Posted in Panasonic| Tagged , , , , , , , | 4 Comments

LUMIX Pro Service Now Available


Panasonic launched their Pro Service and you can sign up here. To be eligible you must meet the following requirements:

Eligibility
Lumix PRO Services is designed for professionals.
The following are the ownership prerequisites for membership:

2 current Lumix Professional Camera Bodies
(G85, G9, GH4, GH5, GH5s)

+4 Lumix lenses
12-35mm f/2.8
12-35mm f/2.8 II
14-42mm f/3.5-56 Power Zoom
35-100mm f/2.8
35-100mm f/2.8 II
45-175mm f/3.5-5.6 Power Zoom
Leica 100-400mm f/4-6.3 – Vario-Elmar
Leica 12-60mm f/2.8-4 Vario-Elmarit
Leica 12mm f/1.4 Summilux
Leica 15mm f/1.7 Summilux
Leica 200mm f/2.8 Elmarit
Leica 25mm f/1.4 Summilux
Leica 42.5mm f/1.2 Nocticron
Leica 45mm F/2.8 Macro-Elmar
Leica 50-200mm f/2.8-4 Vario-Elmarit
Leica 8-18mm f/2.8-4 Vario-Elmarit

PLATINUM MEMBERSHIP
Exclusive Member Hotline
8:00am-8:00pm EST, Monday-Friday

Service Turnaround
2 Business Days1

Service Shipping
Free Next Day shipping, both ways2

Repair Discount
20% off out-of-warranty repairs

Free Sensor or EVF Clean, Lens Calibration, Firmware Update
2 bodies and 2 lenses per year, in up to 2 shipments

Repair Loaner
For Repairs requiring more than 2 business days3

New Product Evaluation Loaner
Program launching 2019

Premium Welcome Kit
Includes Membership card & gift

Partner Discounts
Program launching 2019

Annual Membership Fee
$199

1If repair requires more time, loaner will be provided (model based on availability). 2 Unless otherwise specified, within the contiguous United States 3 Based on availability

Posted in Panasonic, Panasonic lenses| Tagged | 3 Comments

Blackmagic Design Announces Blackmagic Cameras 6.1 Update


Blackmagic Design Announces Blackmagic Cameras 6.1 Update

Major update adds new features for Blackmagic Pocket Cinema Camera 4K including better audio recording and improved battery performance.

Fremont, California, USA – February 4, 2019 – Blackmagic Design today announced Blackmagic Cameras 6.1 which is a new update for the Blackmagic Pocket Cinema Camera 4K. This update adds quieter audio recording, a new pixel remapping feature, new 2:1 monitoring frame guides, improved battery performance and much more.

Blackmagic Camera 6.1 update is available now as a free download from the Blackmagic Design website.

The new Blackmagic Cameras 6.1 significantly improves audio recording when using the built in microphones on the Blackmagic Pocket Cinema Camera 4K. The new processing now analyzes incoming audio from the dual microphones on each side of the camera to dramatically lower the noise floor, resulting in quieter recordings than possible before. In addition, latency has been reduced for audio monitoring, audio and video synchronization has been fine tuned, and the 3.5mm audio input selection interface is now more intuitive, making it faster to use.

Blackmagic Cameras 6.1 also improves auto focus performance. Auto focus now responds quicker and more accurately so that lens hunting is greatly reduced when the camera is locking on to the focal point. There’s also a new media formatting interface that helps prevent customers from accidentally formatting media cards. Once the camera is updated, customers will need to tap and hold the media format confirmation button for 3 seconds before a card will be erased and reformatted.

This update also includes a new in-camera calibration feature which allows customers to recalibrate pixels in the camera. Over time some pixels can change in brightness and create small variations across the sensor. The new pixel calibration feature allows the camera to realign the light output of each pixel resulting in a smooth clean image under changing environmental conditions. Blackmagic Camera 6.1 update also features 2:1 monitoring frame guides, which is another creative composition tool for filmmakers to frame shots. In addition, new power savings and efficiency enhancements improve battery runtime by 10-15% and give customers a more accurate indication of remaining battery power.

“The Blackmagic Pocket Cinema Camera 4K is an incredible success and it’s been very exciting watching the adoption of digital film workflows by a much wider range of people,” said Grant Petty, CEO, Blackmagic Design. “This update is exciting because it adds even more great new features to the camera and it’s an exciting way for us to say thank you to all the people who have purchased a Blackmagic Pocket Cinema Camera 4K and who have taken the time to discuss ideas for the future with us. We can’t wait to see what customers will produce next!”

Blackmagic Cameras 6.1 Update Key Features

Adds support for pixel calibration in camera. Improves auto focus performance. Improves signal to noise ratio performance of the camera’s internal microphone. Improves power efficiency for improved battery life. Adds 2:1 monitoring frame guide. Improves media formatting user interface. Improves audio monitoring latency performance. Improves 3.5mm audio input selection interface. Improves AV sync performance.

Blackmagic Cameras 6.1 is available as a free download for all existing Blackmagic Pocket Cinema Camera 4K customers from www.blackmagicdesign.com/support.

BDP Cinema Camera 4K: B&H Photo / Amazon / Adorama

Posted in Blackmagic Design| Tagged , , | 4 Comments