DPReviewTV and Richard Wong: Panasonic S1R/S1 Hands-on and Autofocus Performance

DPReviewTV went to Barcelona to review the Panasonic S1R/S1 and even though the camera has beta firmware it looks promising. In their estimation, the Panasonic S1 sensor is on par with similar cameras on the market, but the S1R looks to be quite unique. It is a bit disappointing to hear that the Panasonic S focuses continuously in a similar manner to other Panasonic cameras. Photographers do not find that the CDAF wobble instills confidence, but from what I understand even though the CDAF system wobbles while tracking it is accurate.

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Panasonic S1: B&H Photo / Amazon / Adorama
Panasonic S1R: B&H Photo / Amazon / Adorama

Panasonic 50mm f/1.4 S: B&H Photo / Amazon / Adorama
Panasonic 24-105mm f/4.0 S: B&H Photo / Amazon / Adorama
Panasonic 70-200mm f/4.0 S: B&H Photo / Amazon / Adorama

Posted in L-Mount, Panasonic| Tagged , , , , , | 3 Comments

Olympus FY2019/3 Q3 Financial Results: Down 19.0% Year on Year


Consolidated revenue in the Imaging Business amounted to ¥38,338 million (down 19.0% year on year), while operating loss amounted to ¥13,129 million (compared with an operating profit of ¥1,493 million in the same period of the previous fiscal year).

The Imaging Business’s revenue declined due partly to the impact of constraints on supplies of certain existing products and on the number of new products in conjunction with intensifying competition for mirrorless cameras and restructuring of manufacturing locations.

As a result of a decrease in revenues and the recording of costs associated with the restructuring of manufacturing locations and impairment losses of ¥1,345 million, operating loss was recognized in the Imaging Business.

Posted in Olympus| 1 Comment

ATOMOS NINJA V OFFERS 4K 10-BIT 422 HDR RECORDING WITH THE PANASONIC LUMIX S


ATOMOS NINJA V OFFERS 4K 10-BIT 422 HDR RECORDING WITH THE PANASONIC LUMIX S

4 February 2019: Atomos is delighted to announce that as soon as it ships, the new Panasonic LUMIX S1 full-frame mirrorless camera will immediately be able to record 4k (3840×2160) 10-bit 422 HDR footage to the Atomos Ninja V and Inferno monitor/recorders. Recording over HDMI to one of these Atomos recorders will allow recording direct to Apple ProRes or Avid DNx codecs at up to 4kp30 in the HLG HDR format. HDR metadata passed over HDMI from the Panasonic LUMIX S1 to the Ninja V or Inferno allows the HLG signal to be correctly displayed, giving the users an instant and accurate HDR image they can expose and trust. The metadata triggers auto-setup of the Atomos recorders, and the same data is written into the ProRes or DNx file for instant playout to compatible HDR televisions and monitors, or upload to YouTube.

Panasonic will also add 10-bit 422 HDMI output in V-Log gamma via a paid firmware update to the camera in the future. This version of the gamma curve will be the full V-Log, rather than the V-Log L variant found on the GH5 and GH5S. Atomos will record this and are working with Panasonic to fully support the additional options that the upcoming firmware will bring.

The Panasonic LUMIX S1 is the latest in a growing number of large sensor mirrorless cameras to support 4k 10-bit 422 recording via HDMI. The increased image quality brings greater flexibility in post-production for better HDR or SDR images. Stepping up to 10-bit offers greater accuracy with billions of color combinations. This is massively beneficial when utilising computer processing for finishing. Typically, users will see smoother color gradients, eliminating the commonly seen banding in areas with gradual tone change such as blue skies. Recording to an Atomos recorder perfectly preserves this information in the ultimate way possible, combining Panasonic and Atomos technology.

The Panasonic LUMIX S1 has an ergonomic body design that is perfectly partnered with the 5″ Atomos Ninja V HDR monitor/recorder. The Ninja V weighs 360g and sits perfectly on top of the camera. When the two are used together they balance well in the hand, forming an easy to operate camera setup that rivals some traditional cinema cameras.

High bright 1000nit or 1500nit monitoring
Seeing the built-in screen of all mirrorless cameras is difficult in bright conditions. The Ninja V screen has 1000nit of brightness when in SDR mode, allowing it to be used effectively, even when outside. The Ninja Inferno and Shogun Inferno each offer an incredible 1500nit brightness and are well suited to productions where a larger 7” screen is required.

Why external recording makes sense
External recording via HDMI from mirrorless cameras is perfect for users wanting to get the best possible image quality from cameras like the Panasonic LUMIX S1. Until this year users needed to invest in a high-end cinema camera costing ten of thousands of dollars to get a larger than Super35 sized sensor that offered 4K 10-bit 422 recording. Now, with the advent of cameras like the LUMIX S1 combined with the Ninja V, users can have access to just that but at amazing price points – in this case less than $2500 US MSRP for the LUMIX S1 body and $695 MSRP for the Ninja V.

In addition, by moving recording to an external Atomos recorder like the Ninja V, mirrorless cameras are freed of many of their key video limitations. Record time limits are lifted and easy-to-edit Apple ProRes or Avid DNx codecs recorded, instead of harder to edit H.264 or H.265. When recording video with the Panasonic LUMIX S1 and Ninja V you can shoot to the new generation of Atomos AtomX SSDmini drives or Atomos Master Caddy II drives. These are developed with leading brands and offer high speed and high reliability in a compact metal chassis at a highly affordable cost per GB.

ATOMOS NINJA V: B&H Photo / AmazonAdorama
ATOMOS Ninja Inferno: B&H Photo / AmazonAdorama

Panasonic S1: B&H Photo / Amazon / Adorama
Panasonic S1R: B&H Photo / Amazon / Adorama

Posted in Accessories, Panasonic| Tagged , , , , , , , , , | 2 Comments

Leica SL Firmware 3.4 Makes SL Compatible with Panasonic Glass

Leica announced their first L-Mount alliance firmware today and it adds support for Panasonic L-Mount glass. You can read the details below and download the update here.

Firmware Update 3.4
Easy Connect• New QR code for one-step easy pairing of smartphone and camera.
• Fixed WLAN name and password, no submenus for setting name and password.
• No submenus for setting a connection mode, e.g. Create WLAN or Join WLAN.
Compatibility with upcoming lenses from L-Mount Alliance partners• Body-lens communication standard extended for compatibility with upcoming L-Mount lenses.
• Additional menu for updating the lens-firmware of upcoming lenses from L-Mount Alliance partners via SL camera body.
• Compatibility with upcoming L-Mount lenses, that are equipped with an AF/MF switch on the lens barrel. In this case the lens switch is the master for AF/MF mode.
• Compatibility with upcoming L-Mount lenses, that are equipped with an OIS mode switch on the lens barrel. In this case the lens switch is the master for OIS mode.
Bugfix• In some cases the VARIO-ELMARIT-SL 24-90 f/2.8-4 ASPH. did show front focus issues. Lens Firmware 1.1 does solve this issue.

 

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Leica SL: B&H Photo / Amazon / Adorama

Panasonic S1: B&H Photo / Amazon / Adorama
Panasonic S1R: B&H Photo / Amazon / Adorama

Panasonic 50mm f/1.4 S: B&H Photo / Amazon / Adorama
Panasonic 24-105mm f/4.0 S: B&H Photo / Amazon / Adorama
Panasonic 70-200mm f/4.0 S: B&H Photo / Amazon / Adorama

Posted in L-Mount, Leica| Tagged | 1 Comment

Apotelyt Panasonic S1/S1R vs Canon RP Comparison: Impressively Small


Apotelyt added the Canon RP to their comparison tool and it is very compact. Canon is offering an amazing value with the Canon RP and it might just convince some to stick with Canon. Panasonic doesn’t really have a full frame camera read to compete with the Canon RP, but the Panasonic S1 is the closest. You can see the comparison at Apotelyt and the advantages from Apotelyt are below.

Advantages of the Canon EOS RP:

  • More detail: Offers more megapixels (26.2 vs 24MP) with a 5% higher linear resolution.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • More compact: Is smaller (133x85mm vs 149x110mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 532g or 52 percent) and hence easier to carry around.
  • More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).

Reasons to prefer the Panasonic Lumix DC-S1:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor’s full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
  • More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2360k dots).
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2″ vs 3.0″) for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
  • Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.

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Panasonic S1: B&H Photo / Amazon / Adorama
Panasonic S1R: B&H Photo / Amazon / Adorama

Panasonic 50mm f/1.4 S: B&H Photo / Amazon / Adorama
Panasonic 24-105mm f/4.0 S: B&H Photo / Amazon / Adorama
Panasonic 70-200mm f/4.0 S: B&H Photo / Amazon / Adorama

Posted in Panasonic| Tagged , , , , , , , | 2 Comments